Broadcast-grade multi-camera production. The kind of quality that had viewers saying our streams rivaled the NBA.
There's a difference between 'streaming' and broadcasting. Broadcasting is engineered — every camera position chosen for a reason, every cut deliberate, every graphic timed perfectly. That's what MemeHouse brings to the digital streaming world.
We come from traditional production backgrounds — unscripted TV, commercials, documentaries, music videos. That precision doesn't disappear when the platform is Twitch instead of ESPN. It shows in every frame.
Before any camera rolls, we design the full technical spec — camera count, positions, switching layout, audio routing, graphics pipeline. Nothing improvised.
We position operators for storytelling, not just coverage. Every camera has a role: hero, wide, roaming, reaction. The cut always has somewhere to go.
Lower thirds, scoreboards, social integrations, custom branded overlays — all running live. We make it look like a produced TV show.
We can simultaneously push to Twitch, YouTube, TikTok Live, and Kick with platform-specific encoding. One production, maximum reach.
24 hours a day, 11 days straight. Wendy and Evelyn live around the clock for nearly two weeks. 50M+ views.
Full broadcast production from one of the most iconic venues in the world. Sold out in 5 minutes. Streamed live to everyone who couldn't get in.
Broadcast-quality capture of one of the most culturally significant live performances of the year. Outside the Fulton County Courthouse, live to the world.
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Tell us what you have in mind. We'll tell you exactly how we'd execute it.
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